Ragtime movie mother and father8/14/2023 He kneels at his father's bedside and the two converse fondly: "My son-I love you." Sara suggests that it may help heal his father if Jack takes his place at the Yom Kippur service. He's not my boy anymore-he belongs to the whole world now." Afterward, Jack returns to the Rabinowitz home. If God wanted him in His house, He would have kept him there. She has a tearful revelation: "Here he belongs. He delivers his blackface performance ("Mother of Mine, I Still Have You"), and Sara sees her son onstage for the first time. Sara and Yudleson come to Jack's dressing room to plea for him to come to his father and sing in his stead. If he would only sing like that tonight-surely he would be forgiven." As Jack prepares for a dress rehearsal by applying blackface makeup, he and Mary discuss his career aspirations and the family pressures they agree he must resist. That evening, the eve of Yom Kippur, Yudleson tells the Jewish elders, "For the first time, we have no Cantor on the Day of Atonement." Lying in his bed, weak and gaunt, Cantor Rabinowitz tells Sara that he cannot perform on the most sacred of holy days: "My son came to me in my dreams-he sang Kol Nidre so beautifully. Jack is asked to choose between the show and duty to his family and faith: in order to sing the Kol Nidre for Yom Kippur in his father's place, he will have to miss the big premiere. Some day you'll understand, the same as Mama does." Two weeks after Jack's expulsion from the family home and 24 hours before opening night of April Follies on Broadway, Jack's father falls gravely ill. Jack appears and tries to explain his point of view, and his love of modern music, but the appalled cantor banishes him: "I never want to see you again - you jazz singer!" As he leaves, Jack makes a prediction: "I came home with a heart full of love, but you don't want to understand. Back at the family home Jack left long ago, the elder Rabinowitz instructs a young student in the traditional cantorial art. With her help, Jack eventually gets his big break: a leading part in the new musical April Follies. "There are lots of jazz singers, but you have a tear in your voice," she says, offering to help with his budding career. Afterward, he is introduced to the beautiful Mary Dale, a musical theater dancer. Jack wows the crowd with his energized rendition. Jack is called up from his table at a cabaret to perform on stage. About 10 years later, Jakie has changed his name to the more assimilated Jack Robin. At the Yom Kippur service, Rabinowitz mournfully tells a fellow celebrant, "My son was to stand at my side and sing tonight - but now I have no son." As the sacred Kol Nidre is sung, Jakie sneaks back home to retrieve a picture of his loving mother. Jakie clings to his mother, Sara, as his father declares, "I'll teach him better than to debase the voice God gave him!" Jakie threatens: "If you whip me again, I'll run away-and never come back!" After the whipping, Jakie kisses his mother goodbye and, true to his word, runs away. Moisha Yudelson spots the boy and tells Jakie's father, who drags him home. But down at the beer garden, thirteen-year-old Jakie Rabinowitz is performing so-called jazz tunes. Claudio Carvalho, Rio de Janeiro, BrazilĬantor Rabinowitz wants his son to carry on the generations-old family tradition and become a cantor at the synagogue in the Jewish ghetto of Manhattan's Lower East Side. Now Jakie will choose between his career and Mary Dale and the bonds with his family and religion. When Jakie is ready to the rehearsal, Moisha brings Jakie's beloved mother to press him to sing in the synagogue. On the opening day, the manipulative Moisha Yudelson invites him to sing in the Atonement Day since his father is very ill, but the emotional blackmail of the Jewish leader does not work. However, his father banishes him from home. Sooner, he travels to New York for the greatest chance of his life in an important show on Broadway and he visits his parents. When he meets the famous stage performer Mary Dale, she helps him in his career. 10 years later, Jakie is in London where his artistic name is Jack Robin. The traditional cantor expects that Jakie sings in the synagogue like his previous generations did, but the boy dreams on becoming a jazz singer. When Rabinowitz is informed by Moisha Yudelson that Jakie is singing ragtime in a club, he beats his son. In New York, thirteen year-old Jakie Rabinowitz is the son of a stern Jewish Cantor.
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